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・ Aleksei Gorodovoy
・ Aleksei Gorshkov
・ Aleksei Goryushkin
・ Aleksei Grechkin
・ Aleksei Gridin
・ Aleksei Gridnev
・ Aleksei Grishin
・ Aleksei Gritsai
・ Aleksei Grudakov
・ Aleksei Gubarev
・ Aleksei Gudkov
・ Aleksei Gudkov (footballer, born 1972)
・ Aleksei Gudkov (footballer, born 1995)
・ Aleksei Gulo
・ Aleksandër Meksi
Aleksandër Moisiu
・ Aleksandër Moisiu Theatre
・ Aleksandër Moisiu University
・ Aleksandër Peçi
・ Aleksandër Sallabanda
・ Aleksandër Stavre Drenova
・ Aleksandër Xhuvani
・ Aleksandër Xhuvani University
・ Aleksanteri Ahola-Valo
・ Aleksanteri Institute
・ Aleksanteri Saarvala
・ Aleksanteri Toivola
・ Aleksanterinkatu
・ Aleksas Abromavičius
・ Aleksas Andriuškevičius


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Aleksandër Moisiu : ウィキペディア英語版
Aleksandër Moisiu

Aleksandër Moisiu (; (ドイツ語:Alexander Moissi), (イタリア語:Alessandro Moissi); 2 April 1879 – 22/23 March 1935) was an Albanian stage actor.
==Early years==
Moissi was born in Trieste〔 to Moisi Moisiu from Kavajë,〔 who was a rich Albanian merchant of oil and wheat, and an Arbëresh mother,〔 Amalia de Rada, from Trieste, daughter of a Florentine doctor.
After an international childhood in Trieste, Durrës and Graz, the 20-year-old Aleksandër settled with his mother and two sisters in Vienna. He began vocal studies and applied for a drama training at the ''k.k. Hofburgtheater'', but was rejected due to his strong Italian accent and had to confine himself to non-speaking roles. It was his performance in Molière's ''Tartuffe'' of the ''Burgtheater'' 1899/1900 season, which stunned the renowned Austrian actor Josef Kainz, playing the lead role.
With Kainz' encouragement and support, Moisiu's career as one of great European stage actors of the early-20th century began. The following year took him to the New German Theatre in Prague and in 1903 he joined the ensemble of the ''Deutsches Theater'' in Berlin, where he became a protégé of the influential director Max Reinhardt.
Together with Rudolph Schildkraut he performed in Reinhardt's staging of Shakespeare's ''The Merchant of Venice'', now emphasizing his melodious speech, which despite first damning reviews finally made him a star. Moissi and the Reinhardt ensemble toured the Russia in 1911 and was acclaimed in Saint Petersburg by critic and dramatist Anatoly Lunacharsky for his interpretation of Sophocles' ''Oedipus''. Traveling across Europe and the Americas, his most famous role was Fedya in Tolstoy's ''The Living Corpse'' — performed more than 1400 times by him. In 1914, Moisiu acquired German citizenship to become a volunteer in World War I, and during the German Revolution of 1918–19 joined the Marxist Spartacus League.
In 1920 he played the leading part in the first performance of Hugo von Hofmannsthal's ''Jedermann'' adaption of ''The Somonyng of Everyman'' at the Salzburg Festival. However, Moissi did not keep up with the German Expressionist and epic theatre movement initiated by directors like Erwin Piscator and Bertolt Brecht. He finally left Germany after the Nazi ''Machtergreifung'' in 1933 and was offered Albanian citizenship by King Zog.
Alexander Moissi died of pneumonia on 22 or 23 March 1935, most likely in Vienna (other sources claim 23 March 1935 in Lugano) and is buried at the Morcote cemetery overlooking Lake Lugano in Switzerland.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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